I really wanted my highest profile TV appearance to date to go well. New clobber was pressed and tastefully matched, and I suggested we shoot in the George in Borough High Street, the best surviving example of a galleried coaching inn. I thought it would be atmospheric and quiet.
The landlord made it clear he was blasé about people filming in there and offered no special treatment, so we were in the old bar with one table of drinkers who had been there for the day. In the vast array of drunk words we have at our disposal, any of the graphic sweary ones would have been a good descriptor, but more than any of these they were definitely in their cups.
Filming proved tough – every time we started talking they would raise their voices to talk over us. Eventually the crew’s runner offered to buy them a pint if they’d be quiet while we filmed, and this seemed to go down very well. We made good progress, and were nearing the end of the interview when I started talking about the benign anarchy, the unpredictability, of the pub. It’s the reason in all those jokes, a man, a bear, a piece of tarmac or a lobster always walk into a pub. You could go out for a quiet drink on a Tuesday night and it might turn out to be a night you remember for years. Because in a pub, absolutely anything can happen.
As I said the words “anything can happen”, a deep, sustained bowking noise, like a fifteen second long subaquatic belch, drowned me out. Zina, my interviewer, looked over my shoulder. Her eyes went glassy. "He's throwing up. Into his glass," she whispered.
We were petrified, rooted to our places, waiting to see what would happen next, trying to breathe through our mouths so we didn’t smell the puke and start a circle-jerk of hurling. We tried another take, from the top, and were drowned out by dregs of pukey sputum being dislodged from mouth and nose, and more liquid belches from deep within. And again. Every time I got to “anything can happen”, I was joined by a chorus of Woorgh! Hach! Yuurk. Haaawwch! Haawwch! Youwulloooiiich!
Zina had to go outside. Then, mercifully, we were saved. A horrified barmaid swiftly ejected the group and set about clearing up the carnage. She cleared up everything apart from the puke-filled glass. I didn’t dare turn around, knowing that if I saw it, it would be my turn next. The glass sat alone on its table, exuding a kind of talismanic power, not to mention a rapidly congealing stench.
Eventually the barmaid came back. I didn’t dare turn around to see what she was going to try and do – I have no idea whether she was attempting to get it into a bin bag or a box or something. A part of me was expecting the chunky smash that came next, as the puke-filled glass hit the floor. We couldn’t stand it any longer. The whole crew was in hysterics, not laughing at her, but at the ridiculousness of what happens when you try to shoot a piece about how great pubs are in one of the country's oldest and most beautiful inns.
The waitress didn't see our point of view though. “This is NOT funny! This is HORRIBLE! I really, really do not think you should be laughing!”
We tried to apologise, but it was no use – she pretty much told us to get out, and that was the end of the piece. I wonder if BBC crews can get some kind of campaign medal for delivering a piece against such adversity?